Celebrating Supplier Excellence
Find reliable and efficient suppliers for your business needs. Our extensive list features suppliers across various industries, offering high-quality products and services to help your business succeed.
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Akira Kikuchi
Japan (JP)
Established in 1848 in Ôshû City, Iwate Prefecture JAPAN, Oitomi began as Hoshodo. Founder Oikawa Rigenta, a tea ceremony kettle craftsman for the Date clan, shaped Oitomi's 170-year legacy rooted in the tea ceremony. Iwate Prefecture's ironware, rooted in Morioka and Ôshû, gained "Nambu Ironware" status. We artisans strive to share the enduring charm of this legacy, passed through generations in our region. As artisans, we prioritize sustainable production to preserve iron's potential—a foundational resource for human civilization since Earth's beginning—for the well-being of future generations.
View Profilewoohyun roh
Republic of Korea (KR)
I am Woohyun Roh, a Product Design student in the Department of Design Convergence at Hongik University. I have expertise in product design and am actively engaged in design practice.
View ProfileVasil Velchev
Bulgaria (BG)
Graduated as a master of electrical engineering Vasil Velchev actually have more than 10 years of experience as a graphic designer in an international company. At the beginning product design was more like a hobby, but after some worldwide publications and awards he started to believes more in his ideas. Several years ago he started a project called MAGMA which have the purpose to collect all of his creations under one roof. The name was choosen on purpose. It tries to describe the designer's feeling about the original idea that stays at the begining of every project, to wit: it have to be always in 'liquid' form, to be transformed constantly in order to see every form it could take, to be kept alive till the idea became a solid product.
View ProfileStéphanie Branco
Portugal (PT)
Stéphanie Branco is an architect since 2006 and her passion for craftsmanship emerged in 2010 when she made her first pair of shoes, entirely by hand, while working in Paris. Being the 4th generation of craftsman, her passion for craftsmanship runs in her blood. In 2011 she founded ASA Leather Work. In 2016 she came back to Portugal, her homeland, to study Footwear Design and work with as a Production Manager for national & international brands. Later, in a self-taught way, she started practicing the saddle stitch technique and made a wallet for a friend and bags for her. And she never stopped. A true passion was born and the therapeutic feeling of working with her hands was fantastic. She now strives to preserve the hand sew technique “Saddle Stitch”, which is about to disappear in Portugal. Her training in architecture gives her the natural ability to imagine and build her products, as well as attention to detail, maintaining the highest level of quality. She sews, cuts and assembles each piece of leather manually, inspired by the traditional techniques.
View ProfileWei Chen and Chi-Yung Li
Taiwan (China) (TW)
The tentagon studio represented by Wei Chen and Chi-Yung Li . It is more familiar with sustainable design and product design. The works designed in the past have also won awards for sustainable design and product design. Currently, they are more focused on user research, through user analysis. To design each product, including tents of course, tentagon studio hopes to design products that are not only beneficial to the environment but also make users more comfortable to use, and improve society through design.
View ProfileKarolin Larsson
Sweden (SE)
Karolin Larsson is an industrial designer and food designer, who graduated from Istituto Europe di Design, Rome, Italy. She works with furniture, lamps, and interiors, and specialises in design for HoReCa. In 2022 her work was awarded the Red dot award. In 2020 the Pentawards Silver 2022 for sustainable food packaging. Her approach is human-centred design, eating experiences and reinventing basics.
View ProfilePoint One Technology Pte. Ltd.
Singapore (SG)
Point One Technology is a small team of committed Singaporeans focused on transforming ventilation solutions for Southeast Asia's distinct climate and compact living spaces. For years, the market lacked ceiling fans specifically designed for the hot and humid environment of the region—until they entered the scene. They have introduced advancements such as compact-scale motors, tri-color light kits, and smart fan technology. Their presence in the Singapore ceiling fan market has initiated a wave of innovation within the industry, pushing traditional boundaries and improving comfort for consumers. They look forward to continuing their role in this evolution, providing practical ventilation solutions for living spaces in Singapore and throughout the region.
View ProfileHECTOR NAVA F
Chile (CL)
Architect with a comprehensive approach to design, focused on how spaces impact daily life. With experience in construction, conceptual design, and project management across different countries, he excels at leading diverse teams and tackling challenges creatively. He is recognized for blending aesthetic sensitivity with functional, efficient solutions, especially in high-demand sectors like healthcare, housing, and commercial architecture. His key achievements include successful project leadership, always prioritizing user well-being, sustainability, and accessibility in his designs.
View ProfilePaolo D'Arrigo
Italy (IT)
I am a designer who explores the matter, appropriates it and gives it back to the world in the form of objects and furnishings. I was born in Rome in 1967. Design soon came into my life as an instinct and turned out in the most direct way, making me want to shape beloved and accurate objects. The practice of restoration and studies in sociology led me, later, to see in the profession of designer a faber of the relations between man, things and the world. I live design as an alchemy of nature and hi-tech. I practice form not as an aesthetic invention, but as the result of a process that is measured with the constraints of the material and pushes them further. I design with any material, wood and glass, metal and ceramic, contaminating them with technology. Each material is a map to follow, letting oneself be guided by its signs, following its implicit directions and revealing those that are possible and yet to be written. In this path, the know-how of the companies with which I work become a means and a boundary to explore and expand as much as possible. I pursue a beauty that communicates the unexpected. I do not plan to respond to a coded need. I start from common elements to reinvent gestures. Of every object I take care of the whole design, including communication.
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